In more than 50 years of Rolling Stone, the magazine has raised its hand as the first authority in rock music. This authority, that was granted by… no one, really… has led to scathing reviews of such albums as Led Zeppelin’s ‘Led Zeppelin,’ The Rolling Stones’ ‘Exile on Main Street,’ Bob Dylan’s ‘Blood on the Tracks,’ and Nirvana’s ‘Nevermind.’
These horrible takes, the needless feuds between owner Jann Wenner and the bands he wishes he was a part of, and the magazine’s struggle to stay in the current of pop culture, has granted Rolling Stone an awkwardly tenuous relationship with its readers. Regardless of this division, the magazine remains determined to proclaim the greatest 500 songs, artists, and albums. Did they contribute to these artistic endeavors? No. Must they rank them as though God tasked them to do so as a divine mission? Yes.
The following series of articles will dissect Rolling Stone Magazine’s “Top 100 Albums” rankings. I could have broken down the “Top 500,” but I think I’d be too depressed to continue after seeing Nas’ ‘Illmatic’ – an album that is widely regarded as the greatest hip-hop album of all time – in position 402. Adding insult to insanity, Nas’ ‘Illmatic’ at least made it further than the disgraceful selections of Wilco’s ‘Yankee Hotel Foxtrot’ in 493rd place and Funkadelic’s ‘Maggot Brain’ in 479th.Read More